Ethics in Documentary II: How to Make the Absent Present?

The publication follows on from the first part, which focused on general and conceptual issues of the ethics of documentary production and its teaching, and focuses on the specific problem of working with adapted material. In the form of various contributions from people from practice, academia and students, it presents a reflection not only on film work with archives, found footage or material documents of the past, but also on the second year of the conference on ethics in documentary at the Ji IDFF. head.